Killing Eve, S3

Saturday, 21 November 2020 10:20 am
jayeless: a cartoon close-up of a woman, with short brown hair, lipstick, and a red top (Default)

Promo image for Killing Eve season 3Last night Viv and I finally finished all the episodes out so far of Killing Eve (yes, we were sleeping on it for a while). Overall I have to say, what a brilliant show, from the raging chemistry of the leads to the other stellar performances to the cinematography to Jodie Comer's ridiculous talent with accents to the 10/10 banger of a soundtrack (the bulk of which is by a single band called Unloved and all available on Spotify, for what it's worth).

I do think that seasons 1 and 2 were superior to season 3. This is far from the only show that I feel like this has happened with – from Veronica Mars to The Good Place, I think a lot of my favourite shows have suffered a little step-down in quality after their second season. In the case of Killing Eve, I just felt like the plot was less coherent, even though the characters' lines were as witty and enjoyable as before. Read more... )

Originally posted on micro.jayeless.net.

Bootleg (2002)

Saturday, 9 November 2019 09:31 pm
jayeless: a cartoon close-up of a woman, with short brown hair, lipstick, and a red top (Default)

Do you have two hours free to watch one of the greatest kids' shows ever made, about the evils of fascist regimes and the importance of collective organising and popular resistance if you want any hope of winning democratic rights and freedoms? Well if so, then have I got a treat for you:

This show came out when I was 10 and I have suuuuch fond memories of it. I'm sure it's not the only reason I grew up to be an anti-authoritarian, justice-minded revolutionary socialist, but damn if it didn't help push me along in the correct direction haha. I especially love how its depiction of regime change emphasises collective action – the need to have mass support among students, workers and the population at large; the power of acting en masse, taking to the streets all at once, kicking over tanks and whacking regime acolytes over the head with fire extinguishers. Being a kids' show it's obviously a bit simplified, but it's sooooo much better than the “hero and tiny group of friends defeat the figurehead and society magically reshapes itself overnight” narrative that so many narratives aimed at young people are built around. Here you can see the main characters, Smudger and Huntley, ally themselves with the pre-existing resistance movement (consisting of grown-ups) who strongly emphasise the importance of trade union support and collective action generally – acknowledging their uprising will fail if they cannot get the mass of people to rise up at the critical moment.

Anyway, I showed this to my partner (who is not as left-wing as me) tonight and he was wowed. Truly an excellent show. Even despite the hilarity of it supposedly being set in England and yet you could play, “Oh, that's a tram! That's Fed Square! Are they meeting at the Melbourne Museum?! Oooooh, good old Glenferrie Station!” tbh that was really more of an added bonus; this was great stuff.

jayeless: a cartoon close-up of a woman, with short brown hair, lipstick, and a red top (Default)
Last night, my partner and I watched the first two episodes of Years and Years, as they were aired on SBS. Apparently this show aired months ago in the US and UK, but seeing as we'd never even heard of it before SBS's advertising campaign in the lead-up to starting to air it, I guess I can't be too bitter.

The show was pretty interesting, although the unrelenting doom and gloom definitely made it feel a bit like "Twitter: the TV Show". It's set in the near future, focusing on the members of one extended family (primarily based in Manchester) as they live through the tumultuous events predicted for the next few years. This includes things like right-wing populist leaders achieving government, the threat of nuclear war, the refugee crisis worsening, climate change continuing, economic collapse and crisis… alongside more science fiction/technological developments, like robots, real-life face filters (projecting holograms in front of your face) and the idea that people might want to ditch their flesh-and-bone bodies and upload their brains into the cloud. It might sound like a bit of a chaotic mess, but I think the show's well-grounded in the family that lie at the show's core. They're mostly a strong group of characters (every ensemble show's got to have a couple of exceptions…) and give a real human side to what could otherwise be an overwhelming jumble of terrifying what-ifs.

In true Russell T. Davies style I would say the show has its clumsier moments in amidst all the good. It's also, you know, a really pessimistic show (at least so far – maybe the next four episodes will turn it around, but I have my doubts). Still, as an appreciator of dystopian fiction generally, I found it a thought-provoking show that serves as a warning of the kind of future we might be sleep-walking towards.

Any dystopian fiction (in whatever form) you've been enjoying lately? Let me know in the comments ☺️

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